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In the medium sized public sector organisation I do some work in (not tech), most of the business type systems we use are reached via Chrome and are subscription based. I can log into them all using Linux with Chrome installed from home and there is no difference compared to using an organisation PC in their premises. Yes, I am logging in via Microsoft 365 but very few of the applications apart from email and calendar/Teams are used. The business type systems could well be running on Azure but I suspect not, at least for some of them.

Contrast that with a decade ago. All systems accessed via networked PCs using Windows native clients. I had to use RDP to a desktop to access anything from outside the network.

One day someone is going to realise that the organisation does not have to spend £££ replacing every PC just to keep running a Web browser.


Arkell v Pressdram was in response to a civil claim that never reached a court, so slightly different. I take the wider point though.

Blender, Audacity, Ardour, Inkscape, GIMP, Kdenlive, Puredata (programming, but visual), Krita.

Are these not creative software? Perhaps not industry standard, but what is industry going to look like in a couple of decades anyway?


Half of those are not good enough to inspire creativity in a child, because they are so cumbersome to use. The rest are good as far as I know.

You can't really compare Audacity to Garage Band or GIMP to Affinity (which is now free).


Owen Gingerich was a historian of astronomy who did a census of printed early editions of Copernicus' book De revolutionibus. He found a tradition of students copying annotations from teachers readings into their own copies of the book. I recollect that he was able to trace various traditions of commentary each stemming from a well known astronomy teacher.

I suppose that checking early printings of key works looking for annotations is a pretty standard thing to do now.



Keep the windows open when using Vim on a Domes-Tos system.

[Domestos is a brand name for bleach, and Vim is a scouring powder that was popular decades ago]


There is a lot of coastline and not that many police/coastguards. In fact we have been closing down the coastguard stations since satellite tracking of commercial shipping became the norm.

(I come from a part of the UK that was notorious for smuggling, wrecking and other forms of piracy).


They're referring to the aslyum seekers (groan)

605 on 10 boats just 3 days ago...

FWIW it's a political problem, not a defence problem.


https://en.wikipedia.org/wiki/Emmy_Noether

Is the wikipedia page more or less correct or in need of editing in your view? (Given that you are probably the current world expert on Noether having written the book)


https://gsp.humboldt.edu/OLM/courses/GSP_510/Articles/Mandel...

Link to a pdf file that you don't need an institutional login for.

I did an activity in a basic maths class based on this paper years ago. Each student had an A3 map of the main island of the UK. Some set their compasses to 5cm radius and counted the number of radii around the island. Others tried 2.5cm, and 1cm and half a cm. Worked ok, good lesson.


Chelsea Light Removals

> Here Reich fell in with musicians, dancers, sculptors and filmmakers. Sculptor Richard Serra was a neighbour of Reich’s at the time in Lower Manhattan, as was experimental filmmaker Michael Snow. For a brief period, Reich helped out with fellow minimalist Philip Glass’s removal company, Chelsea Light Moving. He recalls paying $65 a month in rent for a loft on Duane Street. “But I had a hard time paying that,” he says.

From

https://www.ft.com/content/02edd1fa-8e18-4483-ba24-7559d329a...

(also https://archive.is/C1TiZ)

I recollect reading that Reich made a definite decision against teaching as a day job because of the demands if you do it right.


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